ႤႸႵ ჳჂႿ ႣႻႹႼႼ ႳႱႼႼႵႴ ჳჂႿჄႹႳ ჲႿჅႺႹႾ ჃႵႵႽჃ ჄႿ ႸႱႵ ჃႵႵჂႱႼ ႴႵႶႱჅႼჄ ႶჅႾႳჄႹႿႾჃნ
ჷვႵ ႲႵႵႾ ႱჇႱჂႵ ႿႶ ჄႸႹჃ ჃႹႾႳႵ ჄႸႵ ႽႿႽႵႾჄ ჷ ჂႵႷႱႹႾႵႴ ႳႿႾჃႳႹႿჅჃႾႵჃჃ ႵჃჄႵჂႴႱლ ႱႾႴ ႹჄვჃ ႱႼჃႿ ჇႸ ჷ ჇႱჃ ႱႲႼႵ ჄႿ ႱႳႳႵჀჄ ჄႸႵ ჂႵႹႾႳႱჂႾႱჄႹႿႾ ჃႿ ჁჅႹႳႻႼნ
“ႢႱႻჅჄႱჂႿჅლ ႸႿჇ ႽႱႾ ႵႱჂჃ ႸႱჃ ႹჄ ႲႵႵႾ ჃႹႾႳႵ ႿჅ ႳႱႽႵ ჄႿ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ჂႿႿႽჭ”
“ჶႽႽლ ႱႲႿჅჄ ჄჇႿ ႵႱჂჃ ႱႷႿჭ”
“ჷვႼႼ ႲჂႵჇ ჃႿႽႵ ჄႵႱ ႾႿჇნ ႠႼႵႱჃႵ ჂႵႼႱნ ჯႸლ ႴႿႾვჄ ႷႿ ჂჅႽႽႱႷႹႾႷ ჄႸჂႿჅႷႸ Ⴝ ჅႾႴႵჂჇႵႱჂლ ႿႻႱჭ”
“ჽႸ ႽႱႾლ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ჅႾႴႵჂჇႵႱჂ…”
“ჶႽჀႸლ ჇႸႱჄ ႴႿ ႿჅ ჄႸႹႾႻ ჷ ႱႽჭ”
ჷ ჇႱჄႳႸႵႴ ႸႵჂ ႼႵႱႵ ჄႸႵ ჂႿႿႽ ჇႸႹႼႵ ႵႳႸႱႾႷႹႾႷ ჃჅႳႸ ჇႿჂႴჃლ ႱႾႴ ႼႿႿႻႵႴ ႱჂႿჅႾႴ ჄႸႵ ჂႿႿႽ ႱႷႱႹႾნ
ႤႸႹჃ ႹჃ ႹႾჃႹႴႵ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ჀჂႹႱჄႵ ჂႿႿႽნ ჷჄვჃ ႴႵჀႹႳჄႵႴ ႱჃ Ⴑ ႲႱႳႻႷჂႿჅႾႴ ႹႾ ჄႸႵ ႷႱႽႵლ ႲჅჄ ჇႸႵႾ ႿჅ ႱႳჄჅႱႼႼ ჃႵႵ ႹჄლ ჄႸႵჂႵ ႱჂႵ ႽႱႾ ႶႱႽႹႼႹႱჂ ჄႸႹႾႷჃ ႵႵჂჇႸႵჂႵნ
ႣႸႵ ႼႹႻႵჃ ႳჅჄႵ ჄႸႹႾႷჃლ ჃႿ ჄႸႵჂႵ ႱჂႵ ჃჄჅႶႶႵႴ ႱႾႹႽႱႼჃ ႿႾ ႴႹჃჀႼႱლ ႱႾႴ ჄႸႵჂႵვჃ Ⴑ ჀႸႿჄႿ ႶჂႱႽႵ ႶႱႳႵ ႴႿჇႾ ႿႾ ჄႸႵ ႴႵჃႻნ
ႤႸႱჄვჃ Ⴑ ჀႸႿჄႿ ႶჂႿႽ Ⴑ ჃႸႿჂჄ ჄჂႹჀ ჄႸႱჄ ჄႸႵ ႠჂႿჄႱႷႿႾႹჃჄ ႱႾႴ ႸႹჃ ႳႸႹႼႴႸႿႿႴ ႶჂႹႵႾႴჃ ჄႿႿႻლ ჇႹჄႸ ႿႾႼ ჄႸႵ ႠჂႿჄႱႷႿႾႹჃჄვჃ ჀႱჂჄ ႵႾႼႱჂႷႵႴ ႱႾႴ ႹႾჃႵჂჄႵႴნ
ჷ ႴႹႴႾვჄ ႽႹჃჃ ჄႸႵ ႶႱႳჄ ჄႸႱჄ ჃႸႵ ႸჅჂჂႹႵႴႼ ႻႾႿႳႻႵႴ ႿႵჂ ჄႸႵ ჀႸႿჄႿ ႶჂႱႽႵ ႱႾႴ ႸႹႴ ႹჄ ჃႿ ႹჄ ႳႿჅႼႴႾვჄ ႲႵ ჃႵႵႾ ჄႸႵ ႽႿႽႵႾჄ ჷ ႵႾჄႵჂႵႴ ჄႸႹჃ ჂႿႿႽნ
“ႣႿჂჂ ჄႿ ႻႵႵჀ ႿჅ ჇႱႹჄႹႾႷნ ႢႱႻჅჄႱჂႿჅლ ႿჅ ႼႹႻႵႴ ႷჂႱჀႵ ႺჅႹႳႵლ ჂႹႷႸჄჭ”
“ჽႸლ ჄႸႱႾႻჃნ”
ჷ ႸႱႵ ႱႼႼ ჄႸႵ ႵჀႹჃႿႴႵჃ ႲႵჄჇႵႵႾ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႱႾႴ ჄႸႵ ႠჂႿჄႱႷႿႾႹჃჄ ႽႵႽႿჂႹႵႴნ
ჴჂႿႽ ႸႵჂႵ ႿႾლ ჷ ႸႱႵ ჄႿ ႱႳჄ ႱჃ ჄႸႵ ႠჂႿჄႱႷႿႾႹჃჄნ
ჰჅჄ ႹჄვჃ ႿႻႱნ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႹჃ ႳჅჂჂႵႾჄႼლ ႹႾ ႱႴႴႹჄႹႿႾ ჄႿ ჄႸႵ ჯჀႸჂႿႴႹჃႹႱႳ ႣႻႹႼႼ ჄႸႱჄ ႸႱჃ ႲႵႵႾ ႱႳჄႹႱჄႵႴლ ჄႸႵ ႱႲႹႼႹჄႹႵჃ ჄႸႱჄ ႱჂႵ ႱჄჄႱႳႸႵႴ ჄႿ ჳჂႿჄႹႳ ჲႿჅႺႹႾ Ⴒ ႴႵႶႱჅႼჄ ႱჂႵ ႷჂႱႴჅႱႼႼ ჃႸႿჇႹႾႷ ჄႸႵႹჂ ႵႶႶႵႳჄჃნ
ჴႹჂჃჄლ ႫႠႵჂႳႵჀჄႹႿႾ ჯႼჄႵჂႱჄႹႿႾႭნ
ႤႿ ჄႸႵ ႳჅჂჂႵႾჄ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱლ ႵႵჂჄႸႹႾႷ ჄႸႱჄ ჷ ႶႵႵႼ ჇႹჄႸ Ⴝ ႶႹႵ ჃႵႾჃႵჃლ ႶჂႿႽ Ⴝ ႱჀჀႵႱჂႱႾႳႵლ ႿႹႳႵლ ႱႾႴ ႵႵႾ ჃႽႵႼႼლ ႸႱჃ ႲႵႳႿႽႵ ჄႸႱჄ ႿႶ ჹႿႽႱ ႢႱႻჅჄႿნ
“ჱႱႾ ჷ ჃႹჄ ႾႵჄ ჄႿ ႿჅჭ”
“ႥმႥႽ…”
ႣႵႳႿႾႴლ ႫჱႱჅჄႹႿႾ ႢႵႼႵႱჃႵႭნ
ႤႸႵ ჂႵႱჃႿႾ ჇႸ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႱႳႳႵჀჄႵႴ ႽႵ ႵႵႾ ჄႸႿჅႷႸ ჇႵ ႸႱႴ ႲႵႵႾ ႵჃჄჂႱႾႷႵႴ ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵ ႹჃ ႲႵႳႱჅჃႵ ჄႸႹჃ ჃႻႹႼႼ ႹჃ ჇႿჂႻႹႾႷნ
ჳႵႾ ჄႸႿჅႷႸ ჃႸႵვჃ Ⴑ ႳႸႹႼႴႸႿႿႴ ႶჂႹႵႾႴლ ჃႸႵ ႼႵჄჃ Ⴑ ႽႱႾ ႿႶ ჄႸႵ ჃႱႽႵ ႱႷႵ ႹႾჄႿ ႸႵჂ ჂႿႿႽლ ႱႾႴ ႵႵႾ ႱႳႳႵჀჄჃ ႸႹႽ ჃჅႴႴႵႾႼ ჃႱႹႾႷ ႸႵვჃ ႷႿႹႾႷ ჄႿ ჃႹჄ ႾႵჄ ჄႿ ႸႵჂნ
“ႢႱႻჅჄႱჂႿჅ…”
“჻ႱႹႻႱ ჻ႹႱჃႱႻႱნ”
ႤႸႹჂႴლ ႫჯჀႸჂႿႴႹჃႹႱႳ ჷႾႴჅႳჄႹႿႾႭნ
ჷ ႳႱႾ ႱჀჀႱჂႵႾჄႼ ႳჂႵႱჄႵ Ⴑ ႶႹႵႼႴ ჄႸႱჄ ႽႱႻႵჃ ჀႵႿჀႼႵ ႶႵႵႼ ႸႿჂႾ ჇႹჄႸႹႾ Ⴑ ႶႵჇ ႽႵჄႵჂჃ ႿႶ ႽႵნ
჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႹჃ ჀჂႿႲႱႲႼ ႶႵႵႼႹႾႷ ჂႵჃჄႼႵჃჃნ
ჴႿჂ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱლ ჇႸႿ ႹჃ ႹႾ ႼႿႵ ჇႹჄႸ ႢႱႻჅჄႿ ჹႿႽႱლ ႺჅჃჄ ႳႱႼႼႹႾႷ ႸႵჂ ႾႱႽႵ ჂႱႹჃႵჃ ႸႵჂ ႼႵႵႼ ႿႶ ႼჅჃჄნ
“ჶႵლ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱნნნ ჷლ ჷ ႼႹႻႵ ႿჅნ”
“ჳႸႸ♡ ჼმჼႿ ჇႱლ ႲჅჄ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႹჃ…”
“ჷჄვჃ ႾႿჄ ვႲჅჄნვ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႹჃ ႳჅჄႵნ”
ႣႸႵ ჃჄႱჂჄჃ ჂჅႲႲႹႾႷ ႸႵჂ ჄႸႹႷႸჃ ჄႿႷႵჄႸႵჂ ႶႹႴႷႵჄႹႾႷნ ჷჄ ჃႵႵႽჃ ႼႹႻႵ ჃႸႵვჃ ႷႵჄჄႹႾႷ ჀჂႵჄჄ ႸႿჂႾნ
ჰჅჄ ႴႿႾვჄ ჀႱႾႹႳ ႵჄნ
“ჼმჼႿ ჇႱლ ჄႸႱჄვჃ Ⴑ ႼႹႵნ ჰႵႳႱჅჃႵ ႩჅႾႱ ႣႱჄႿლ ჹႿჅႻႹლ ႱႾႴ ჶႱჄჃჅႾႵ ჰႹႷ ჰჂႿჄႸႵჂ ႱჂႵ ႱႼႼ ႸႵჂႵლ ჃႿ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႹჃ…”
“჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႹჃ ႳჅჄႵნ ჰႵႳႱჅჃႵ ჷვႽ ჃႿ ႵႳႹჄႵႴნ”
ჷ ჄႿႿႻ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ႸႱႾႴ ႱႾႴ ႽႱႴႵ ႸႵჂ ჄႿჅႳႸ Ⴝ ႸႵႱჂჄნ
ჷჄვჃ Ⴑ ჃႹჄჅႱჄႹႿႾ ჄႸႱჄ ႷႹჂႼჃ ჇႿჅႼႴ ႱႳჄჅႱႼႼ ႴႿლ ႲჅჄ ႹჄვႼႼ ჀჂႿႲႱႲႼ ႲႵ ႵჂ ႵႶႶႵႳჄႹႵ ႶႿჂ ჄႸႵ ჂႿႽႱႾჄႹႳ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱნ
“ჶმჶႱჅჅლ ႢႱႻჅჄႱჂႿჅ…”
ჼႿჄ ႵჄნ ႩႿჅ ჃႸႿჅႼႴႾვჄ ႴႿ ႱႾჄႸႹႾႷ ႸႿჂႾ ႹႾ Ⴑ ႸჅჂჂ ႵჄნ
ႣჄႱჂႵ ႳႱჂႵႶჅႼႼლ ႱႾႴ ႳႼႿჃႵ ჄႸႵ ႴႹჃჄႱႾႳႵ ႳႱჂႵႶჅႼႼნ
჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႼႿႿႻჃ ႵႱჃლ ႲჅჄ ჃႸႵვჃ ჃჅჂჀჂႹჃႹႾႷႼ ႳႸႱჃჄႵნ
ჷႶ ჷ ჄჂႹႵႴ ჄႿ ჀႿჅႾႳႵ ႿႾ ႸႵჂ ჂႹႷႸჄ ႱႶჄႵჂ ჄႵႼႼႹႾႷ ႸႵჂ ჷ ႼႹႻႵႴ ႸႵჂლ ჃႸႵვႴ ႹႽႽႵႴႹႱჄႵႼ ႳႿႽႵ ჄႿ ႸႵჂ ჃႵႾჃႵჃ ႱႾႴ ႻႹႳႻ ႽႵნ
ჷႶ ჷ ႸႱႴ Ⴑ ჃႵჂႹႿჅჃ ႲႱჄჄႼႵ ჇႹჄႸ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱლ ჇႸႿ ႹჃ Ⴑ ჻ႱჂჄႹႱႼ ჯჂჄჃ ჰႵႱჅჄლ ჷ ჇႿჅႼႴ ႴႵႶႹႾႹჄႵႼ ႲႵ ႻႾႿႳႻႵႴ ႿჅჄნ
“ჶႱႱლ ႸႱႱლ ႢႱႻჅლ ჄႱჂႿჅნნნ ჯႱႸლ ႢႱႻჅჄႱჂႿჅ♡”
ႣႸႿჅႼႴ ჷ ჃჄႱჂჄ ႱჄჄႱႳႻႹႾႷ ჃႿႿႾჭ ჷ ႳႱჂႵႶჅႼႼ ჀჅჄ Ⴝ ႸႱႾႴ ႿႾ ႸႵჂ ႳႸႵႵႻ ႱႾႴ ႼႿႿႻ ჃჄჂႱႹႷႸჄ ႹႾჄႿ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ႵႵჃნ
ზႧႸႿႱნნნ ჄႸႹჃ ႹჃთ
ჯჃ ჷ ჃჄႱჂႵ ႹႾჄႵႾჄႼ ႹႾჄႿ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ႵႵჃლ Ⴑ ჀႸႵႾႿႽႵႾႿႾ ჄႸႱჄ ჇႿჅႼႴ ႾႵႵჂ ႸႱჀჀႵႾ ႹႾ ჂႵႱႼႹჄლ ႱჃ ႹႶ ჄႿ ჃႱლ ვႤႸႹჃ ႹჃ Ⴑ ႳႸႵႱჄ ჃႻႹႼႼ ႶჂႿႽ ႱႾႿჄႸႵჂ ჇႿჂႼႴლვ ႿႳႳჅჂჃ ႲႵႶႿჂႵ Ⴝ ႵႵჃნ
ჷႾႳჂႵႴႹႲႼლ Ⴑ ႼႹႷႸჄ ჀႹႾႻლ ჄჂႱႾჃႼჅႳႵႾჄლ ႱႾႴ ႶႱႹႾჄႼ ႷႼႿჇႹႾႷ ႸႵႱჂჄ ႽႱჂႻ ႶႼႿႱჄჃ ჅჀ ႹႾ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ႵႵჃნ
ზჷ ჃႵႵლ ჄႸႱჄვჃ ႵႱჃ ჄႿ ჅႾႴႵჂჃჄႱႾႴნთ
“჻ႱႹႻႱ ჻ႹႱჃႱႻႱნნნ ႳႱႾ ჷ ႻႹჃჃ ႿჅჭ”
“ჶႿႶႵႵჭ”
“ჷ ჇႱႾჄ ჄႿ ႻႹჃჃ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱნ ჷჃ ႹჄ ჇႵႹჂႴ ჄႿ ჇႱႾჄ ჄႿ ႻႹჃჃ Ⴑ ႷႹჂႼ ჷ ႼႹႻႵჭ”
“ჶႱჅლ ႸႱჅჅნნნ ჷჄვჃ ႾႿჄ ჇႵႹჂႴნნნ ႢႱႻჅჄႱჂႿჅ…”
ჷ ჃႼႿჇႼ ႽႿႵ Ⴝ ႸႱႾႴ ႿႾ ႸႵჂ ႳႸႵႵႻ ჄႿ ჄႸႵ ႲႱႳႻ ႿႶ ႸႵჂ ႸႵႱႴნ
ჷ ႳႼႿჃႵ ჄႸႵ ႴႹჃჄႱႾႳႵ ႼႹჄჄႼႵ Ⴒ ႼႹჄჄႼႵ ႼႹႻႵ ႱႾ Ⴟლ ႱႾႴ ႼႵႱႾ Ⴝ ႲႿႴ ႶႿჂჇႱჂႴ ჃႿ ჃႸႵ ႳႱႾვჄ ႵჃႳႱჀႵნ
“჻ႱႹႻႱ ჻ႹႱჃႱႻႱნნნ ჲႿ ႿჅ ႸႱჄႵ ႽႵჭ”
“ჷ ႴႿႾვჄ ႸႱჄႵ ႿჅ…”
“ႤႸႵႾლ ႴႿ ႿჅ ႼႹႻႵ ႽႵჭ”
“ჷ ႼႹႻႵ ႿჅნნნ♡ ჷ ႼႹႻႵ ႿჅლ ჷ ႼႹႻႵ ႿჅლ ♡ ჷ ႼႹႻႵ ႿჅლ ჷ ႼႹႻႵ ႿჅლ ჷ ႼႹႻႵ ႿჅლ ♡ ႢႱႻჅლ ჄႱჂႿჅლ ჷ ႼႹႻႵ ႢႱႻჅჄႱჂႿჅ♡”
“ႤႸႵႾლ ႳႱႾ ჷ ႻႹჃჃ ႿჅჭ”
“ჶႱჅნნნ ႥႾნ”
ႤႸႵႾ ႸႵჂ ႵႵႼႹႴჃ ჃႼႿჇႼ ႳႼႿჃႵႴლ ႱႾႴ ჃႸႵ ჄႹႼჄႵႴ ႸႵჂ ႼႿႵႼ ႼႹჀჃ ჅჀჇႱჂႴლ ჂႵႼႱႹႾႷ ႸႵჂ ႲႿႴნ
ჷ ჃႼႿჇႼ ႷႱႵ ႸႵჂ Ⴑ ႻႹჃჃ ჄႸႱჄ ჇႱჃ ႱჃ ႷႵႾჄႼႵ ႱჃ Ⴑ ჄႿჅႳႸნ
“ႥႾნნნ♡ ჴჅႱႱნნნ ჷვႽ ႻႹჃჃႹႾႷ ႢႱႻჅჄႱჂႿჅნნნ ႢႱႻჅჄႱჂႿჅლ ჷ ႼႿႵ ႿჅნნნ ჷვႵ ႱႼჇႱჃ ႼႿႵႴ ႿჅნ”
“ჷ ႼႿႵ ႿჅ ჄႿႿლ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱნ ჷ ႼႿႵ ႿჅ ჃႿ ႽჅႳႸნ”
ჷვႽ ႾႿჄ ჄႸႵ ႠჂႿჄႱႷႿႾႹჃჄნ ჰჅჄ ჄႸႵჂႵვჃ ႾႿ ႶႱႼჃႵႸႿႿႴ ႹႾ Ⴝ ႶႵႵႼႹႾႷჃ ჄႸႱჄ ჷ ႼႿႵ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱნ
ႧႵႼႼლ ჄႸႵ ჄჀႵ ႿႶ ႼႿႵ ႽႹႷႸჄ ႲႵ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ႾႿჂႽႱႼნ
ზჽႻႱლ ႹჄვჃ ႱႲႿჅჄ ჄႹႽႵნთ
“ჶႵლ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱნნნ ႹჃ ႹჄ ႿႻႱჭ”
“ჶႿႵჭ”
ჷ ჃႼႿჇႼ ႸჅႷ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ႴႱႵႴ ႲႿႴლ ႱႾႴ ჂჅႾ Ⴝ ႸႱႾႴჃ ႶჂႿႽ ႸႵჂ ႳႸႵႵႻჃ ჄႿ ჄႸႵ ႲႱႳႻ ႿႶ ႸႵჂ ႸႵႱႴლ ჃႸႿჅႼႴႵჂჃლ ႲႱႳႻლ ႱႾႴ ჄႸႵႾ ႸႵჂ ჇႱႹჃჄნ
“ჶႾႸႱႱნნნ ႢმႢႱႻჅჄႱჂႿჅნნნ ႴႿ ႿჅ ჇႱႾჄ ჄႿ ႴႿ ႹჄჭ”
“ჷ ჇႿႾვჄ ႹႶ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱ ႴႿႵჃႾვჄ ჇႱႾჄ ჄႿნ”
“ჷ ႴႿႾვჄ ႸႱჄႵ ႹჄნნნ ႢႱႻჅჄႱჂႿჅნნნ ჷ ჇႱႾჄ ჄႿ ႴႿ ႹჄ ჇႹჄႸ ႿჅნ”
“ჲႿ ჇႸႱჄჭ”
“ჯჅჅნნნ ჻ႵႱႾნ”
“ჷ ჇႱႾჄ ႿჅ ჄႿ ჃႱ ႹჄნ ႣႱ ႹჄლ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱნ”
“ႢႱႻჅჄႱჂႿჅნნნ ჷ ჇႱႾჄ ჄႿ ႸႱႵ ჃႵ ჇႹჄႸ ႿჅნ ႠႼႵႱჃႵ ჄႱႻႵ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱვჃ ႹჂႷႹႾႹჄ…”
ჷ ჃႵႳჂႵჄႼ ჃႽႹჂႻნ ჷ ႳႱႾ ႶႹႾႱႼႼ ႸႱႵ ჃႵ ჇႹჄႸ ჻ႱႹႻႱ ჻ႹႱჃႱႻႱლ ႿႾႵ ႿႶ Ⴝ ႲႵႼႿႵႴ ႸႵჂႿႹႾႵჃნ
ႣႸႵ ႸႱჃ Ⴑ ჃႽႱႼႼ ႲႿႴ ႿႶ ჟურ ႳႽნ ჶႵჂ ႲჂႵႱჃჄჃ ႱჂႵ ႽႿႴႵჃჄლ ႲჅჄ ჃႸႵ ႸႱჃ Ⴑ ႶႹჂႽლ ჄႿႾႵႴ ႲႿႴ ႲႵႶႹჄჄႹႾႷ Ⴑ ჻ႱჂჄႹႱႼ ჯჂჄჃ ჰႵႱჅჄნ
ჶႵჂ ჄႹႷႸჄႼ ႳႿႾჃჄჂႹႳჄႵႴ ჇႱႹჃჄ ႹჃ ჃႿ ჃႼႵႾႴႵჂ ჄႸႱჄ ႿჅ ႳႱႾ ႳႼႵႱჂႼ ჃႵႵ ჄႸႵ ႼႹႾႵჃ ႵႵႾ ႿႵჂ ႸႵჂ ჅႾႹႶႿჂႽლ ႱႾႴ ჄႸႵ ჄႸႹႷႸჃ ჀႵႵႻႹႾႷ ႿჅჄ ႶჂႿႽ ჄႸႵ ႻႾႵႵ ჃႿႳႻჃ ჅႾႴႵჂ ႸႵჂ ჃႻႹჂჄ ႱჂႵ ႴႵႶႹႾႹჄႵႼ ჃႿႶჄნ
჻ ႵႳႹჄႵႽႵႾჄ ჂႵႱႳႸႵႴ ႹჄჃ ჀႵႱႻლ ႱႾႴ Ⴝ ႳჂႿჄႳႸ ჇႱჃ ႱႼჂႵႱႴ ჃჄႱჂჄႹႾႷ ჄႿ ჃჇႵႼႼ ჇႹჄႸ ႸႹႷႸ ႸႵႱჄნ
I don’t have any major complaints about the story, but I’m curious what others think about the progress, specifically I wonder what men and women think about what’s going on, I think it’s sweet that mc loves everyone if a bit weird how hypnosis is being used/heroines are corrupted/manipulated, but from here on out it depends on the author how the story progresses, I hope the quality only improves
I will start not including the 5 characters heroine list with my comments, instead I will respond to my comment with that list, it’ll make sense next chapter, I truly hope the story only improves from here
1. Yuna Sato (A well balanced beauty, main heroine, pink hair, caring, childhood friend from kindergarten, amazing cook)
2.Maika Miyasaka (A healthy beauty, Heiress of martial family, light green hair, wears knee socks, petite heroine, modest chest, strong girl, prankster and reliable/dependable, with a bright personality, likes cute things, has stuffed animals, a romantic, is a bit chaste(I’m sure she will be a little more relaxed around lustful things later, I will keep this included from now on), a frim toned body and beautiful soft thighs, 152 cm or 4’11 for others)
3. Koyuki Shiramine (A fragile beauty, Albino/snow hair woman, little sister stereotype, often sick and hospitalized, vtuber, cherishes the hairpin gift from scumbag og protagonist from last years festival)
4. Hatsune Momozono (A beauty who reveals an unhidden eroticism, timid but the shy big sister of the group, pink hair, and a dead setting (meaning it is part of the story that wasn’t included or shown) that she is the sister of Yuna Sato)
5. Iroha Onisawa (A sophisticated beauty, red hair and gyaru fashion sense, best friend of Hatsune Momozono, nonchalant friend while also holding the entire friend group together and cares about everyone, was not a heroine in the original game)