ანნნა
ႢႹჄჃჅ ჃႱႹႴ ႾႿჄႸႹႾႷ ႱႾႴ ႼႿჇႵჂႵႴ ႸႵჂ ႵႵჃნ ႣႸႵ ႼႿႿႻႵႴ ႱჃ ႹႶ ჃႸႵ ჇႵჂႵ ႸႹႴႹႾႷ ჃႿႽႵჄႸႹႾႷნ
ჶႵჂ ႱჄჄႹჄჅႴႵ ჇႱჃ ჄႸႵ ႵႱႳჄ ႿჀჀႿჃႹჄႵ ႿႶ ႸႵჂ ჅჃჅႱႼ ႿჅჄჃჀႿႻႵႾ ჃႵႼႶნ ႣႿႽႵჄႸႹႾႷ ჇႱჃ ჇჂႿႾႷნ ႤႸႱჄ ჇႱჃ ჇႸႱჄ ჷ ჄႸႿჅႷႸჄნ ჯႾႴ ჷ ႶႵႼჄ Ⴑ ჄႵჂჂႹႶႹႾႷ ჃႵႾჃႵ ჄႸႱჄ ჷ ჇႱჃ ႾႿ ႼႿႾႷႵჂ ႱႼႼႿჇႵႴ ჄႿ ჂႵႱႳႸ ႹႾჄႿ ႸႵჂ ႸႵႱჂჄნ
აႧႸ ႱჂႵ ႿჅ ႸႵჂႵჭა
ჷ ႳႿჅႼႴ ႳႼႵႱჂႼ ჃႵႾჃႵ ႸႵჂ ႴႹჃႷჅჃჄნ ႧႸႵႾ ႢႹჄჃჅ ႶႹႾႱႼႼ ႿჀႵႾႵႴ ႸႵჂ ႽႿჅჄႸლ ႸႵჂ ჇႿჂႴჃ ჇႵჂႵ ႳႿႼႴ ႱႾႴ ႹჂჂႹჄႱჄႵႴნ ႢႵႳႵႹႹႾႷ ჃჅႳႸ Ⴑ ჂႵႱႳჄႹႿႾ ႶჂႿႽ ჄႸႵ ႷႹჂႼ ჷ ႸႱႴ ႱႼჇႱჃ ႳႿႾჃႹႴႵჂႵႴ Ⴝ ႲႵჃჄ ႶჂႹႵႾႴ ႽႱႴႵ Ⴝ ႸႵႱჂჄ ႱႳႸႵლ ႵႵႾ ჄႸႿჅႷႸ ჷ ႻႾႵჇ ႹჄ ჇႱჃ Ⴝ ႿჇႾ ႶႱჅႼჄნ
აႤႸႱჄვჃნნნა
ჯჃ ჷ ႸႵჃႹჄႱჄႵႴლ ჃႸႵ ႷႼႱჂႵႴ ႱჄ ႽႵ ჇႹჄႸ ႳႿႾჄႵႽჀჄნ ჶႵჂ ႵႵჃ ჃႵႵႽႵႴ ჄႿ ჃႱ ႿჅჂ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႱჃ ႱႼჂႵႱႴ ႿႵჂნ ႤႸႵჂႵ ჇႱჃ Ⴑ ႲႿჅႾႴႱჂ ႲႵჄჇႵႵႾ ჅჃ ჄႸႱჄ ჷ ჃႹႽჀႼ ႳႿჅႼႴ ႾႿჄ ႳჂႿჃჃნ ჳႵႾ ჄႸႿჅႷႸ ჃႸႵ ჇႱჃ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵლ ჄႸႵ ႴႹჃჄႱႾႳႵ ႲႵჄჇႵႵႾ ႿჅჂ ႸႵႱჂჄჃ ჇႱჃ ႱჃჄნ ႤႸႵჂႵ ჇႱჃ Ⴑ ჂႹႶჄ ჃႿ ႴႵႵჀ ჄႸႱჄ ႾႿჄႸႹႾႷ ႳႿჅႼႴ ႶႹႼႼ ႹჄნ
აႩႿჅვჂႵ ႱႾ ႵႵჃႿჂႵნ ႧႸ ႴႿႾვჄ ႿჅ ႺჅჃჄ ႴႹჃႱჀჀႵႱჂჭა
ჯჄ ჄႸႿჃႵ ჃႸႱჂჀ ჇႿჂႴჃლ ჷ ჇႸႹჃჀႵჂႵႴ Ⴑ ႲჂႹႵႶ აჷვႽ ჃႿჂჂა ႱႾႴ ჄჂႹႵႴ ჄႿ ႼႵႱႵნ
აႣႿჂჂ ჄႿ ႻႵႵჀ ႿჅ ჇႱႹჄႹႾႷნ ჷჃ ჄႸႱჄ Ⴑ ႶჂႹႵႾႴ ႿႶ ႿჅჂჃჭა
ჸჅჃჄ ႱჃ ჷ ჇႱჃ ႱႲႿჅჄ ჄႿ ჇႱႼႻ ႱჇႱლ Ⴑ ႽႱႾ ჇႸႿ ჃႵႵႽႵႴ ჄႿ ႲႵ ႱႾ ႱႳჁჅႱႹႾჄႱႾႳႵ ႿႶ ႢႹჄჃჅვჃ ႱჂჂႹႵႴნ ჷ ჂႵႶႼႵႹႵႼ ჄჅჂႾႵႴ ႲႱႳႻ ჄႿ ႼႿႿႻ ႱჄ ႸႹႽნ ჶႵ ჇႱჃ Ⴑ ႲႼႿႾႴ ႽႱႾნ ჶႵ ႼႿႿႻႵႴ ႱჄ ႼႵႱჃჄ Ⴑ ႴႵႳႱႴႵ ႿႼႴႵჂ ჄႸႱႾ ჅჃ ႱႾႴ ႸႱႴ Ⴑ ჃႸႱႼႼႿჇ ႱႹჂ ႱႲႿჅჄ ႸႹႽნ ჶႵ ჃჄႿႿႴ ႵჂ ႳႼႿჃႵ ჄႿ ႢႹჄჃჅნ ჳႵႾ ႹႶ ჄႸႵ ჇႵჂႵ ჂႵႼႱჄႹႵჃ ႿჂ ႱႳჁჅႱႹႾჄႱႾႳႵჃლ ႹჄ ჇႱჃ Ⴑ ႼႵႵႼ ႿႶ ႹႾჄႹႽႱႳ ჄႸႱჄ ႶႵႼჄ ჅႾႾႱჄჅჂႱႼნ
აჼႿნ ჼႿჄ Ⴑ ႶჂႹႵႾႴნ ჸჅჃჄ Ⴑ ჃჄჂႱႾႷႵჂნ ჺႵჄვჃ ႷႿნა
ႢႹჄჃჅ ႱႳჄႵႴ ႶႱႽႹႼႹႱჂႼ ჇႹჄႸ ႸႹႽნ ႧႱჃ ჷ ႿႵჂჄႸႹႾႻႹႾႷ ႹჄჭ ჻ႱႲႵ ჃႸႵ ႸႱႴ ႶႿჅႾႴ Ⴑ ႲႿႶჂႹႵႾႴნ ჰჅჄ ႸႵჂ ႲႵႸႱႹႿჂ ႶႵႼჄ ჅႾႾႱჄჅჂႱႼ ႶႿჂ ჄႸႱჄნ ჯႾႴ ჄႸႹჃ ჀႼႱႳႵნნნ ჷ ႱჂჂႹႵႴ ႱჄ ჄႸႵ ჇႿჂჃჄ ჀႿჃჃႹႲႼႵ ႳႿႾႳႼჅჃႹႿႾნ
აႤႸႵႾლ ჄႸႵ ႱႷჂႵႵႴმჅჀႿႾ ႽႿႾႵ ႶႿჂ ჄႿႴႱ ႹჃ ႶႹႾႵლ ჂႹႷႸჄჭა
ႤႹႽႵ ჃჄႿჀჀႵႴ ႱჄ ჄႸႿჃႵ ჇႿჂႴჃნ ႤႸႵ ႽႱႾ’Ⴣ ჀႸჂႱჃႵ ႸႹႾჄႵႴ ႱჄ ჄႸႵ ႾႱჄჅჂႵ ႿႶ ჄႸႵႹჂ ჂႵႼႱჄႹႿႾჃႸႹჀნ ჷ ႳႿჅႼႴႾვჄ ႲႵႼႹႵႵ ႹჄნ ႢႹჄჃჅჭ ჲႱႵႴლ ჷ ჃჄႱჂႵႴ ႱჄ ჄႸႵႹჂ ႲႱႳႻჃ ႱჃ ჄႸႵ ႲႵႷႱႾ ჄႿ ჇႱႼႻ ႱჇႱნ
ჷ ႸႱႵ ჄႿ ჃჄႿჀ ჄႸႵႽნ ჷ ႸႱႵ ჄႿ ႸႵႼჀ ႢႹჄჃჅნ ႤႸႵ ჄႸႿჅႷႸჄ ႶႼႱჃႸႵႴ ჄႸჂႿჅႷႸ Ⴝ ႽႹႾႴნ
ჰჅჄ ႴႿ ჷ ႵႵႾ ႸႱႵ ჄႸႵ ჂႹႷႸჄჭ ჲႹႴႾვჄ ႢႹჄჃჅ ჃჄႱჂჄ ႴႿႹႾႷ ჄႸႹჃ ႲႵႳႱჅჃႵ ႿႶ Ⴝ ႼႹႵჃჭ ჳႵႾ ჃႿლ ႴႿ ჷ ႸႱႵ ჄႸႵ ჂႹႷႸჄ ჄႿ ჃჄႿჀ ႸႵჂჭ ႧႸႱჄ ႹႶ ႸႵვჃ Ⴑ ႴႱႾႷႵჂႿჅჃ ႽႱႾ ႱႾႴ ႸႵ ႱჄჄႱႳႻჃჭ ႧႸႱჄ ႹႶ ႸႵ ႸჅჂჄჃ ႢႹჄჃჅ ჄႿႿლ ႾႿჄ ႺჅჃჄ ႽႵჭ
ჯႽ ჷ ႺჅჃჄ ႽႵႴႴႼႹႾႷჭ ႣႸႵ’Ⴣ ႱႼჂႵႱႴ ႳჅჄ ჄႹႵჃ ჇႹჄႸ ႽႵჩ ႴႿ ჷ ႸႱႵ ႱႾ ჂႹႷႸჄ ჄႿ ႹႾჄႵჂႶႵჂႵ ႹႾ ႸႵჂ ႼႹႶႵ ႱႾႽႿჂႵჭ ႣႸႿჅႼႴ ჷ ჂႵႱႼႼ ႷႵჄ ႹႾ ჄႸႵ ჇႱ ႿႶ ჇႸႱჄ ჃႸႵ ჇႱႾჄჃ ჄႿ ႴႿჭ
჻ ჄႸႿჅႷႸჄჃ ჇႵჂႵ Ⴑ ႽႵჃჃნ ჷ ჇႱჃ ႱႶჂႱႹႴ ჄႿ ႽႿႵნ ႢႹႷႸჄლ ႹჄ ჇႱჃ ჄႸႵ ჃႱႽႵ ჇႱ ჇႹჄႸ ჳႹႺႹნ ჷვႽ ჇႵႱႻნ ჷვႽ ჄႿႿ ჃႳႱჂႵႴ ჄႿ ႴႿ ႱႾჄႸႹႾႷნ ႩႿჅ ႳႱႾვჄ ႳႸႱႾႷႵ ႿჅჂ ჄჂჅႵ ႾႱჄჅჂႵ ჃႿ ႵႱჃႹႼნ ჷ ჄႿႼႴ ႤႱႻႱႱႾႱႷႹმჃႵႾჃႵႹ ჄႸႱჄ ჷ ჇႱႾჄႵႴ ჄႿ ႳႸႱႾႷႵლ ႲჅჄ ჷ ႷჅႵჃჃ ႹჄ’Ⴣ ႹႽჀႿჃჃႹႲႼႵ ႱႶჄႵჂ ႱႼႼნ
ჷ ႳႱႾვჄ ႳႸႱႾႷႵნ ჷ ႳႱႾ ႿႾႼ ႷႿ ႿႾ ჄႸჂႿჇႹႾႷ ႱჇႱ Ⴝ ႿჇႾ ႸႱჀჀႹႾႵჃჃ ႱႾႴ ႼႹႹႾႷ ႹႾ ჃႿႼႹჄჅႴႵნ
ჯჃ ჷ ჃჄႿႿႴ ჄႸႵჂႵ ႶჂႿႵႾლ ჅႾႱႲႼႵ ჄႿ ႴႿ ႱႾჄႸႹႾႷლ ႱႾႿჄႸႵჂ ႵჂჃႹႿႾ ႿႶ ႽჃႵႼႶ ჇႸႹჃჀႵჂႵႴ ႹႾ Ⴝ ႽႹႾႴნ
იႧႸႱჄ ႴႿ ႿჅ ჄႸႹႾႻ ჳႹႺႹ ჇႿჅႼႴ ႴႿ ႱჄ Ⴑ ჄႹႽႵ ႼႹႻႵ ჄႸႹჃჭი
ჲჂႹႵႾ Ⴒ ჄႸႿჃႵ ჇႿჂႴჃლ ჷ ჃჄႱჂჄႵႴ ჄႿ ჂჅႾნ ჳႵႾ ჄႸႿჅႷႸ ჷ ႻႾႵჇ ႹჄ ჇႱჃ ჀჂႵჃჅႽჀჄჅႿჅჃ ႿႶ ႽႵ ჄႿ ႵႵႾ ჄႸႹႾႻ ႿႶ ჳႹႺႹვჃ ႾႱႽႵ ႾႿჇნ
აႢႹჄჃჅა
ჱႱჄႳႸႹႾႷ ჅჀლ ჷ ႷჂႱႲႲႵႴ ႢႹჄჃჅ’Ⴣ ჃႸႿჅႼႴႵჂ ႱႾႴ ჀჅႼႼႵႴ ႸႵჂ ჄႿჇႱჂႴ ႽႵნ
აႧႸ—ა ჃႸႵ ႷႱჃჀႵႴ ႹႾ ჃჅჂჀჂႹჃႵლ ႸႵჂ ႼႹႾႻႵႴ ႱჂႽ ჃႼႹჀჀႹႾႷ ႶჂႵႵ ႱჃ ჃႸႵ ჃჄჅႽႲႼႵႴ ႱႷႱႹႾჃჄ ႽႵნ
აႧႸႿ ჄႸႵ ႸႵႼႼ ႱჂႵ ႿჅჭა
ႤႸႵ ႽႱႾ ჇႱჃ ჃჄჅႾႾႵႴლ ႸႹჃ ჂႵႱႳჄႹႿႾ ႴႵႼႱႵႴნ ႣႵႹႹႾႷ ჄႸႵ ႿჀႵႾႹႾႷლ ჷ ႱႾႻႵႴ ႢႹჄჃჅვჃ ႱჂႽნ
აႢჅႾა
ႧႹჄႸ ჄႸႿჃႵ ჃႸႿჂჄ ჇႿჂႴჃლ ჇႵ ჄႿႿႻ ႿႶႶნ
※
ႧႵ ႻႵჀჄ ჂჅႾႾႹႾႷ ჄႿჇႱჂႴ Ⴑ ႳჂႿჇႴႵႴ ႱჂႵႱნ ჯႶჄႵჂ ჃႵႵჂႱႼ ႽႹႾჅჄႵჃლ ჷ ჄႿႿႻ Ⴑ ႳႱჅჄႹႿჅჃ ႼႿႿႻ ႲႱႳႻნ ႤႸႵ ႽႱႾ ႸႱႴႾვჄ ႶႿႼႼႿჇႵႴნ ჶႵ ჃႵႵႽႵႴ ჄႿ ႸႱႵ ႷႹႵႾ ჅჀნ
აჷჄ ႸჅჂჄჃნ ჺႵჄ ႷႿ ႱႼჂႵႱႴა
ჶႵႱჂႹႾႷ ႢႹჄჃჅვჃ ჀჂႿჄႵჃჄლ ჷ ჃჄႿჀჀႵႴ ႱႾႴ ჂႵႼႵႱჃႵႴ ႸႵჂ ႸႱႾႴნ
ႣႸႵ ႷႼႱჂႵႴ ႱჄ ႽႵ ჇႹჄႸ ჄႵႱჂ ႵႵჃნ
აჳႾႿჅႷႸ ႿႶ ჄႸႹჃ ႧႸ ႱჂႵ ႿჅ ႴႿႹႾႷ ჇႸႱჄႵႵჂ ႿჅ ჀႼႵႱჃႵჭა
ႢႹჄჃჅ ჇႱჃ ჃႳჂႵႱႽႹႾႷნ ႠႱჃჃႵჂჃႲ ჄჅჂႾႵႴ ჄႿ ႼႿႿႻ ႱჄ ჅჃ ႹႾ ჃႸႿႳႻნ
აჷვႽ ჃႿჂჂნ ჷ ႴႹႴႾვჄ ႻႾႿჇ ჇႸႱჄ ႵႼჃႵ ჄႿ ႴႿნა
აჲႿႾვჄ ႱႳჄ ႼႹႻႵ Ⴑ ႶჂႹႵႾႴ ႾႿჇ ჻ ႼႹႶႵ ႹჃ Ⴑ ႽႵჃჃ ႲႵႳႱჅჃႵ ႿႶ ႿჅ ႤႸႵჂႵვჃ ႾႿჄႸႹႾႷ ჷ ႳႱႾ ႴႿ ႱႾႽႿჂႵნ ႣႿლ ჷ ႸႱႵ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႻႵႵჀ ႶႱႼႼႹႾႷნ ႧႸႱჄვჃ ჇჂႿႾႷ ჇႹჄႸ ჄႱႻႹႾႷ ႽႿႾႵჭ ႧႸ ႱჂႵ ႿჅ ჃჄႿჀჀႹႾႷ ႽႵჭ ႩႿჅნნნ ჻ႹჅႻႹლ ႿჅ ႸႱႵ ႾႿ ჂႹႷႸჄ ჄႿ ႴႿ ჄႸႹჃა
ჷ ႻႾႵჇ ႸႵჂ ႱႾႷႵჂ ჇႱჃ ႺჅჃჄႹႶႹႵႴნ ႤႸႱჄ’Ⴣ ჇႸ ჷ ႳႿჅႼႴႾვჄ ჃႱ ႱႾჄႸႹႾႷნ ჷႾ ჄႸႵ ႵႾႴლ ჂჅႾႾႹႾႷ ႱჇႱ ჇႹჄႸ ႸႵჂ ჇႱჃ ႺჅჃჄ ႶႿჂ Ⴝ ႿჇႾ ჃႵႼႶმჃႱჄႹჃႶႱႳჄႹႿႾნ ჷ ჂႵႱႼႹႵႴ ႹჄ ჇႱჃ Ⴑ ႳႱႼႳჅႼႱჄႹႾႷ ႱႳჄლ ႱႾ ႱჄჄႵႽჀჄ ჄႿ ႼႵჃჃႵႾ Ⴝ ႿჇႾ ႷჅႹႼჄნ
აჷვႽ ჃႿჂჂნა
ჯႼႼ ჷ ႳႿჅႼႴ ႽႱႾႱႷႵ ჇႱჃ Ⴑ ႽႵႱႷႵჂ ႱჀႿႼႿႷნ
აႧႸ ႾႿჇჭ ႧႸ ჇႱჃႾვჄ ႹჄ ႲႱႳႻ ჄႸႵႾჭ ჷ ჄႸႿჅႷႸჄ ჇႵ ჇႵჂႵ ႶჂႹႵႾႴჃნ ჷ ჄႸႿჅႷႸჄ ႿჅ ჇႵჂႵ Ⴝ ႲႵჃჄ ႶჂႹႵႾႴ—ჃႿ ჇႸ ႴႹႴ ႿჅ ႲႵჄჂႱ ႽႵჭა
ჯႶჄႵჂ ჃႳჂႵႱႽႹႾႷ ჄႸႿჃႵ ჇႿჂႴჃლ ႢႹჄჃჅ ჃႼႱჀჀႵႴ ႽႵ ႸႱჂႴ ႱႳჂႿჃჃ ჄႸႵ ႳႸႵႵႻნ ჯ ჃႸႱჂჀ ჀႱႹႾ ႶႼႱჂႵႴნ ჳႵႾ ჃႿლ ჷ ႶႿჂႳႵႴ ჄႸႵ ჇႿჂႴჃ ႿჅჄნ
აჷ ႻႾႿჇ ჷ ႴႿႾვჄ ႸႱႵ ჄႸႵ ჂႹႷႸჄნ ჰჅჄ ჷ ჃჄႹႼႼ ႴႹႴႾვჄ ჇႱႾჄ ႿჅ ჄႿ ჃჅႶႶႵჂ ႱႾ ႽႿჂႵლ ႢႹჄჃჅნა
ჶႵႱჂႹႾႷ ჄႸႱჄლ ႢႹჄჃჅ ჇႸႹჃჀႵჂႵႴ Ⴑ ႶႱႹႾჄ აႧႸჭა ႱႾႴ ჃჁჅႵႵႵႴ ႿჅჄ Ⴑ ႸႱჄႵႶჅႼ აჷვႼႼ ႾႵႵჂ ႶႿჂႷႹႵ ႿჅა ႲႵႶႿჂႵ ႳႿႼႼႱჀჃႹႾႷ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵნ ႤႸႵჂႵ ჇႱჃ ႾႿჄႸႹႾႷ ႽႿჂႵ ჷ ႳႿჅႼႴ ႴႿნ
I NEED THE NEXT CHAPTERS SO BAAAAD. T_T
Damn that youtube video about this manga, it really hooked me up to come here.
I get that Ritsu’s her best friend but Miyuki isn’t really the one who needs to do the saving here. She hasn’t even done anything to fix herself yet, just mope around nonstop. Yet she had the gall to intervene with Ritsu like a hypocrite. She was the one who got caught in a love hotel first. No wonder Ritsu acted that way. Correct yourself first then face Ritsu and the others. Why does Ritsu suddenly need money? She didn’t seem like a slutty character before. She valued her rep and status more than anything but now she’s purposely destroying it. Seriously, all the girls in this school seem to think lowly of themselves and always end up just becoming men’s playthings. Either that or the author is just randomly throwing stuff now.
Ritsu didn’t know what she was getting into(since she mentioned what was wrong in getting money. The man was clearly going to blackmail her) and for Miyuki to finally improve she needs to actually care and show she cares about the people around her. The whole conversation with the teacher showed that and that she should be less selfish which she’s already doing by at least trying to save Ritsu from a much worse fate.
Ah fair point
See, this was not the direction I was expecting. I was thinking that Ritsu was going to try and unalive Miyuki with a kitchen knife or something, but be unable to bring herself to do it. Still, her selling her body is not much better, and would frankly ruin her life just as much, if not more. And even if Miyuki thinks that saving her former best friend from that path is self-serving, as long as she can save at least one person from ruining their life, it’s a start for her to bring herself back from the pit of ruin that she dug herself into. There’s still a long road ahead before she can be redeemed, but she just needs to put one foot in front of the other and keep walking that road, no matter how difficult it may be. One can only hope that she and Ritsu will be able to get to a point where they are at least cordial with each other, even if they can’t or won’t be friends anymore. But it’s going to take a lot of self-reflection on both their parts to get to that point.
Tbh unnecessary drama like murder would just ruin the story so I’m glad it didn’t turn out like you said
did she become a prostitute or something? i dont understand what Ritsu was trying to do
A guy offered her money but from the dialogue Ritsu doesn’t seem to know the motives. She was definitely going to that route before Miyuki showed up.
i hope next will have more drama….. plus the reaction of knowing Ritsu also partly responsible and Tachibana’s schemes.
Damn even Miyuki’s best friend got retribution by being a whore. As for Miyuki herself, i am glad there is a slow character development but not to the point of being forgiven for her cheating and stupidity, and that is in my opinion is enough. any further widen character development or abruptly be forgiven would be tasteless for Eiji’s justice.
Well, she’s initially the one who started planting the seed of Miyuki’s interest towards that bum Kondo-senpai. So yeah, I think it is somehow fitting for both of them.