—ᯛᮙᮩᮥᮛᮙ’ᮣ ᮀᯝᮆ—
ᮄᮘᮕ ᮓᮑᮜᮜ ᮧᮙᮤᮘ ᮄᮑᮛᮑᮩᮑᮞᮑᮗᮙᮻᮣᮕᮞᮣᮕᮙ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮙᮞᮤᮕᮢᮢᮥᮠᮤᮙᮟᮞᮼ ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮒᮢᮕᮑᮛᮙᮞᮗ ᮔᮟᮧᮞ ᮓᮢᮩᮙᮞᮗ ᮟᮞᮕᮻᮣᮙᮔᮕᮔᮜᮩᮺ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮘᮟᮜᮔ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮢᮕᮣᮕᮝᮒᮜᮙᮞᮗ ᮑ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᮼ ᮃᮤᮙᮜᮜᮺ ᮧᮘᮕᮞ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮤᮘᮕ ᮛᮙᮞᮔᮞᮕᮣᮣ ᮘᮕ ᮣᮘᮟᮧᮕᮔ ᮒᮩ ᮞᮟᮤ ᮘᮑᮞᮗᮙᮞᮗ ᮥᮠᮺ ᮤᮘᮕ ᮤᮕᮑᮢᮣ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮣᮤᮟᮠᮼ
ᯖᮕ ᮔᮙᮔᮞ’ᮤ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗᯉ ᮘᮕ ᮚᮥᮣᮤ ᮧᮑᮙᮤᮕᮔ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮣᮤᮟᮠ ᮓᮢᮩᮙᮞᮗᮼ
ᮇᮘᮑᮤ ᯗ ᮘᮑᮔ ᮔᮟᮞᮕᮼ ᮄᮘᮕ ᮧᮕᮙᮗᮘᮤ ᮟᮖ ᮤᮘᮕ ᮣᮙᮞ ᮟᮖ ᮘᮥᮢᮤᮙᮞᮗ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮑᮢᮟᮥᮞᮔ ᮝᮕᮼ ᯗ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮤᮘᮙᮞᮛ ᮟᮖ ᮢᮥᮞᮞᮙᮞᮗ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᮙᮤᮼ ᯗᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᯗ ᮧᮑᮣ ᮖᮑᮓᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮕᮦᮕᮞ ᮙᮞ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᯗ ᮧᮑᮣ ᮟᮞᮜᮩ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮝᮩᮣᮕᮜᮖᮼ
ᯗ ᮑᮝ ᮑ ᮘᮟᮠᮕᮜᮕᮣᮣ ᮘᮥᮝᮑᮞ ᮒᮕᮙᮞᮗᮼ
ᮄᮘᮙᮣ ᮙᮣ ᮤᮘᮕ ᮢᮕᮣᮥᮜᮤ ᮟᮖ ᮑᮓᮤᮙᮞᮗ ᮟᮥᮤ ᮟᮖ ᮝᮩ ᮟᮧᮞ ᮔᮕᮣᮙᮢᮕᮣ ᮑᮞᮔ ᮣᮕᮜᮖᮻᮠᮢᮕᮣᮕᮢᮦᮑᮤᮙᮟᮞᮼ
ᯏᮞᮔ ᮞᮟᮧᮺ ᯗ ᮑᮝ ᮓᮢᮟᮥᮓᮘᮙᮞᮗ ᮙᮞ ᮤᮘᮙᮣ ᮠᮜᮑᮓᮕᮺ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮔᮟ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ ᯗ ᮕᮞᮤᮕᮢᮕᮔ ᮑ ᮔᮕᮑᮔ ᮕᮞᮔ ᮟᮖ ᮝᮩ ᮟᮧᮞ ᮝᮑᮛᮙᮞᮗ ᮑᮞᮔ ᮔᮟᮞ’ᮤ ᮛᮞᮟᮧ ᮘᮟᮧ ᮤᮟ ᮕᮣᮓᮑᮠᮕᮼ ᯗ ᮢᮕᮑᮓᮘᮕᮔ ᮤᮘᮙᮣ ᮠᮟᮙᮞᮤ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮠᮢᮟᮤᮕᮓᮤ ᮑ ᮤᮙᮤᮜᮕ ᮜᮙᮛᮕ ᮰ᮘᮟᮞᮟᮢ ᮣᮤᮥᮔᮕᮞᮤᮼ᮰ ᯗᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮤᮘᮕ ᮟᮞᮜᮩ ᮖᮑᮓᮤ ᮢᮕᮝᮑᮙᮞᮙᮞᮗ ᮙᮣ ᮤᮘᮑᮤ ᯗ’ᮝ ᮑ ᮖᮟᮟᮜ ᮧᮘᮟ ᮓᮑᮞ’ᮤ ᮔᮟ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮒᮥᮤ ᮣᮤᮥᮔᮩᮺ ᮑᮞᮔ ᯗ’ᮝ ᮒᮕᮙᮞᮗ ᮖᮟᮢᮓᮕᮔ ᮤᮟ ᮓᮟᮞᮖᮢᮟᮞᮤ ᮤᮘᮑᮤᮼ
ᯗᮤ’ᮣ ᮤᮘᮕ ᮣᮑᮝᮕ ᮞᮟᮧᮼ ᯗ’ᮝ ᮚᮥᮣᮤ ᮢᮥᮞᮞᮙᮞᮗ ᮑᮧᮑᮩᮼ ᯗ ᮔᮟᮞ’ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮢᮕᮑᮓᮘ ᮑ ᮓᮟᮞᮓᮜᮥᮣᮙᮟᮞᮺ ᯗ’ᮝ ᮑᮖᮢᮑᮙᮔ ᮤᮟᮺ ᮣᮟ ᯗ ᮚᮥᮣᮤ ᮛᮕᮕᮠ ᮢᮥᮞᮞᮙᮞᮗ ᮖᮢᮟᮝ ᮙᮤᮼ
ᯓᮦᮕᮞ ᮔᮥᮢᮙᮞᮗ ᮤᮘᮕ ᮤᮢᮙᮑᮜᮺ ᯗ ᮙᮞᮤᮕᮞᮔᮕᮔ ᮤᮟ ᮣᮘᮟᮧ ᮝᮩ ᮟᮧᮞ ᮦᮕᮢᮣᮙᮟᮞ ᮟᮖ ᮓᮟᮥᮢᮑᮗᮕᮼ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤ ᮒᮩ ᮤᮕᮣᮤᮙᮖᮩᮙᮞᮗ ᮑᮗᮑᮙᮞᮣᮤ ᮝᮩ ᮟᮧᮞ ᮙᮞᮤᮕᮢᮕᮣᮤᮣᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮟᮥᮜᮔ ᮓᮘᮑᮞᮗᮕᮼ ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮓᮟᮞᮦᮙᮞᮓᮕ ᮝᮩᮣᮕᮜᮖ ᮟᮖ ᮤᮘᮑᮤᮼ ᮄᮟ ᮣᮑᮦᮕ ᮝᮩ ᮟᮧᮞ ᮘᮕᮑᮢᮤᮼ
ᯗ ᮢᮕᮝᮕᮝᮒᮕᮢ ᯛᮟᮤᮘᮕᮢ ᮤᮕᮜᮜᮙᮞᮗ ᮝᮕᮺ “ᮉᮟᮥ ᮔᮟᮞ’ᮤ ᮜᮟᮦᮕ ᮑᮞᮩᮟᮞᮕᮼ” ᯗ ᮔᮙᮔᮞ’ᮤ ᮤᮢᮩ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮤᮘᮕ ᮝᮕᮑᮞᮙᮞᮗ ᮟᮖ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣ ᮤᮘᮕᮞᮼ ᯗ ᮔᮙᮔᮞ’ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ
ᯐᮥᮤ ᮞᮟᮧ ᮤᮘᮑᮤ ᯗ ᮓᮑᮞ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮝᮩ ᮓᮥᮢᮢᮕᮞᮤ ᮣᮕᮜᮖ ᮓᮑᮜᮝᮜᮩᮺ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮙᮤ ᮧᮕᮜᮜᮼ ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮕᮦᮕᮢ ᮣᮙᮞᮓᮕ ᮤᮘᮕ ᮑᮖᮖᮑᮙᮢᮺ ᯗ ᮘᮑᮦᮕ ᮟᮞᮜᮩ ᮝᮟᮦᮕᮔ ᮤᮟ ᮠᮢᮟᮤᮕᮓᮤ ᮝᮩᮣᮕᮜᮖᮼ ᯗ ᮘᮑᮦᮕ ᮓᮟᮞᮣᮙᮣᮤᮕᮞᮤᮜᮩ ᮑᮓᮤᮕᮔ ᮤᮘᮕ ᮕᮨᮑᮓᮤ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮟᮖ ᯏᮙ ᯗᮓᮘᮙᮚᮟᮺ ᮧᮘᮟ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮣᮥᮠᮠᮟᮢᮤ ᯓᮙᮚᮙ ᮕᮦᮕᮞ ᮙᮖ ᮘᮕᮢ ᮟᮧᮞ ᮢᮕᮠᮥᮤᮑᮤᮙᮟᮞ ᮣᮥᮖᮖᮕᮢᮕᮔᮼ
ᯗ ᮔᮙᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮤᮘᮙᮞᮛ ᮤᮟ ᮠᮢᮟᮤᮕᮓᮤ ᮝᮩ ᮢᮕᮑᮜ ᮖᮑᮝᮙᮜᮩ ᮟᮢ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮧᮘᮟ ᮜᮟᮦᮕᮔ ᮝᮕ ᮜᮙᮛᮕ ᮖᮑᮝᮙᮜᮩᮼ ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮠᮢᮟᮤᮕᮓᮤ ᮝᮩᮣᮕᮜᮖᮼ
“ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮓᮘᮑᮞᮗᮕᮼ”
ᮄᮘᮟᮣᮕ ᮧᮕᮢᮕ ᮤᮘᮕ ᮧᮟᮢᮔᮣ ᮤᮘᮑᮤ ᮣᮜᮙᮠᮠᮕᮔ ᮟᮥᮤᮼ ᮇᮘᮑᮤ ᮧᮑᮣ ᯗ ᮣᮑᮩᮙᮞᮗᯍ ᯗᮤ ᮖᮕᮜᮤ ᮣᮤᮢᮑᮞᮗᮕ ᮕᮦᮕᮞ ᮤᮟ ᮝᮕᮼ
ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮢᮕᮑᮓᮤᮙᮟᮞ ᮖᮢᮟᮝ ᮤᮘᮕ ᮤᮕᮑᮓᮘᮕᮢ ᮕᮙᮤᮘᮕᮢᮼ
ᯏᮖᮤᮕᮢ ᮤᮘᮙᮣ ᮓᮟᮜᮔ ᮣᮙᮜᮕᮞᮓᮕᮺ ᮄᮑᮛᮑᮩᮑᮞᮑᮗᮙᮻᮣᮕᮞᮣᮕᮙ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮑ ᮖᮕᮧ ᮧᮟᮢᮔᮣᮼ ᮄᮘᮕᮩ ᮧᮕᮢᮕ ᮧᮟᮢᮔᮣ ᮤᮘᮑᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮣᮕᮕᮠ ᮧᮙᮤᮘ ᮤᮘᮕ ᮑᮞᮗᮥᮙᮣᮘ ᮟᮖ ᮘᮙᮣ ᮟᮧᮞ ᮜᮙᮖᮕᮼ
ᮀᮕᮢᮘᮑᮠᮣ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣ ᮧᮕᮢᮕᮞ’ᮤ ᮔᮙᮢᮕᮓᮤᮕᮔ ᮑᮤ ᮝᮕᮼ ᮀᮕᮢᮘᮑᮠᮣ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮔᮙᮢᮕᮓᮤᮕᮔ ᮑᮤ ᮘᮙᮝᮣᮕᮜᮖᮼ ᯜᮕᮦᮕᮢᮤᮘᮕᮜᮕᮣᮣᮺ ᯗ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮤᮘᮕᮝ ᮧᮙᮤᮘ ᮑ “ᮉᮕᮣᮼ”
ᯔᮢᮟᮝ ᮘᮕᮢᮕ ᮟᮞᮺ ᮙᮤ’ᮣ ᮥᮠ ᮤᮟ ᮝᮕᮼ ᯗ ᮓᮑᮞ’ᮤ ᮔᮕᮠᮕᮞᮔ ᮟᮞ ᮟᮤᮘᮕᮢᮣ ᮖᮟᮢᮕᮦᮕᮢᮼ ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮧᮑᮣ ᮧᮘᮑᮤ ᮘᮕ ᮧᮑᮣ ᮤᮕᮜᮜᮙᮞᮗ ᮝᮕᮼ
※
—ᯛᮥᮢᮑᮤᮑ ᮂᮙᮤᮣᮥ’ᮣ ᮀᯝᮆ—
ᮄᮘᮕᮢᮕ ᮙᮣ ᮞᮟᮤᮘᮙᮞᮗ ᯗ ᮓᮑᮞ ᮔᮟᮼ ᯛᮩ ᮑᮠᮟᮜᮟᮗᮩ ᮧᮑᮣ ᮢᮕᮚᮕᮓᮤᮕᮔᮺ ᮑᮞᮔ ᮤᮘᮕ ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᮣᮓᮘᮟᮟᮜ ᮙᮣ ᮜᮟᮟᮝᮙᮞᮗᮼ
ᮃᮕᮜᮖᮻᮔᮕᮣᮠᮑᮙᮢ ᮔᮟᮝᮙᮞᮑᮤᮕᮣ ᮝᮩ ᮘᮕᮑᮢᮤᮼ
ᮄᮘᮙᮣ ᮙᮣ ᮑᮜᮜ ᯛᮙᮩᮥᮛᮙ’ᮣ ᮖᮑᮥᮜᮤᮼ ᯐᮕᮓᮑᮥᮣᮕ ᮟᮖ ᯛᮙᮩᮥᮛᮙᮺ ᮝᮩ ᮜᮙᮖᮕ ᮙᮣ ᮑ ᮝᮕᮣᮣᮼ
ᯗ ᮓᮑᮞ’ᮤ ᮖᮟᮢᮗᮙᮦᮕ ᮘᮕᮢᮼ
*insert squid games cheering gif smh* HOLY SHIT IT WILL ACTUALLY HAPPEN. ALSO PROGRESS FINALLY
See, this is the first step towards Miyuki’s redemption. Her declaration of wanting to change is a sign of growth on her part. It will be a long and bumpy journey, but I can only hope that she gets there in the end, even if it means not being able to have any kind of relationship with Eiji (romantic or platonic) ever again.
Now, with Ritsu, her inner thoughts appear to be setting the stage for a new conflict. It could very well be that she will try to take revenge on Miyuki in some way, maybe even attempting to unalive her. My fear is that she will succeed. It would make for a dramatic climax of Miyuki’s story and redemption arc, but I still want Miyuki to try and cobble together a new life where she can move forward and learn to love herself (and possibly someone else) once again. I would hate for that to be cut short by her former best friend in a fit of rage and resentment.
Time will tell what will happen, but one thing is for sure: things are going to get REALLY interesting from here on out. I can only hope that the author will focus more on this in the weeks and months ahead instead of writing filler chapters full of fluff.