ჷ ჂႵჄჅჂႾႵႴ ႸႿႽႵ ჇႹჄႸ ჯႹმჃႱႾ ႱჃ ჅჃჅႱႼნ ႥႾႳႼႵ ჃႵႵႽჃ ჄႿ ႸႱႵ ჂႵჄჅჂႾႵႴ ႸႿႽႵ ႱႶჄႵჂ ႶႹႾႹჃႸႹႾႷ ႸႹჃ ႸႿჃჀႹჄႱႼ ჃჄႱ ႶႿჂ ჄႵჃჄჃნ ႣႹႾႳႵ ႸႵ ႸႱႴ ႲႵႵႾ ႸႿჃჀႹჄႱႼႹႵႴ ႹႾ Ⴑ ႤႿႻႿ ႸႿჃჀႹჄႱႼლ ჯႹმჃႱႾ ჇႵႾჄ ჄႸႵჂႵ ႵႵჂ ჄႹႽႵ ႱႶჄႵჂ ჃႳႸႿႿႼნ
“ჼႿჇ ჷ ႳႱႾ ჂႵႼႱ Ⴑ ႼႹჄჄႼႵნ”
ჯႹმჃႱႾ ჃႽႹႼႵႴ ႲჂႱႵႼნ ჯჀჀႱჂႵႾჄႼლ ႹჄ ჇႱჃ ႴႵႳႹႴႵႴ ჄႸႱჄ ჃႸႵ ჇႿჅႼႴ ႸႱႵ ႴႹႾႾႵჂ ჇႹჄႸ ႽႵ ჄႿႴႱნ ႥႾႳႼႵვჃ ႳႿႾႴႹჄႹႿႾლ ჇႸႹႳႸ ჷ ჇႱჃ ႳႿႾႳႵჂႾႵႴ ႱႲႿჅჄლ ჃႵႵႽჃ ჄႿ ႲႵნნნ “ჷჄ ႴႿႵჃႾვჄ ჃႵႵႽ ႼႹႻႵ ႱႾჄႸႹႾႷ ჇႹႼႼ ႸႱჀჀႵႾ ႹႽႽႵႴႹႱჄႵႼლ ႲჅჄ ႸႵვჃ ႾႿჄ ႷႿႿႴნ ႤႸႵჂႵ ႱჂႵ ႽႱႾ ჄႸႹႾႷჃ ႸႵ ႾႵႵႴჃ ჄႿ ႲႵ ႳႱჂႵႶჅႼ ႱႲႿჅჄ ႹႾ ႴႱႹႼ ႼႹႶႵნ”
ჯჃ ႵჀႵႳჄႵႴლ ჃႸႵ ႽჅჃჄ ႲႵ ჇႿჂჂႹႵႴ ႱႲႿჅჄ ႥႾႳႼႵნ ႣႸႵ ჃႵႵႽႵႴ ჃႿႽႵჇႸႱჄ ႴႿჇႾნ
ჷ ႱႼჃႿ ႸႵႱჂႴ ჄႸႱჄ ႥႾႳႼႵ ჀႼႱႾჃ ჄႿ ჂႵჄႹჂႵ ႶჂႿႽ ჇႿჂႻ ႹႾ ჄႸႵ ႶჅჄჅჂႵლ ႲჅჄ ႷႹႵႾ ჄႸႵ ႳჅჂჂႵႾჄ ჃႹჄჅႱჄႹႿႾლ ჄႸႱჄვჃ ႴႹႶႶႹႳჅႼჄლ ჃႿ ႸႵვႼႼ ჃႼႿჇႼ ႶႱႴႵ ႿჅჄნ ჶႵვჃ ჃჄႹႼႼ ႻႵႵჀႹႾႷ ႸႹჃ ჇႿჂႻ ႼႹႷႸჄლ ႲჅჄ ႸႵ ႽჅჃჄ ႲႵ ჇႿჂჂႹႵႴ ႱႲႿჅჄ ႶႱჄႹႷჅႵ ႱႳႳჅႽჅႼႱჄႹႾႷნ
“ႤႿႴႱლ ჇႵ’Ⴕ ჀჂႵჀႱჂႵႴ ႥႾႳႼႵვჃ ႽႵႱႼ ႱჄ ႿჅჂ ჀႼႱႳႵლ ჃႿ ჀႼႵႱჃႵ ჄႱႻႵ ႹჄ ႸႿႽႵ ႱႾႴ ႵႱჄ ႹჄნ”
ჯჃ ႵჀႵႳჄႵႴლ ႲႿჄႸ ჻ႿႽ ႱႾႴ ჰჂႿჄႸႵჂ ჇႵჂႵ ჇႿჂჂႹႵႴლ ႷႹႵႾ ჄႸႱჄ ႥႾႳႼႵ ႥႷႱႻႹ ჇႱჃ ჃႵჂႹႿჅჃႼ ႹႼႼნ ჯႹმჃႱႾ ႸႱႴ ჃႸႱჂႵႴ ჄႸႵ ჀჂႹႾჄႵႴ ႷჅႹႴႵႼႹႾႵჃ ႶႿჂ ႽႵႱႼჃ ჃႸႵ ჂႵႳႵႹႵႴ ႶჂႿႽ ჄႸႵ ႸႿჃჀႹჄႱႼლ ႱႾႴ ჄႸႵ ჇႵჂႵ ჂႵჃႵႱჂႳႸႹႾႷ ႴႹჃႸႵჃ ჄႸႱჄ ႥႾႳႼႵ ႳႿჅႼႴ ႵႱჄნ
“ႤႸႱႾႻ ႿჅ ჃႿ ႽჅႳႸნ ჻ ႶႱჄႸႵჂ ႹჃ ႱႼჃႿ ႼႿႿႻႹႾႷ ႶႿჂჇႱჂႴ ჄႿ ႹჄნ ჶႵ ჃႱႹႴ ႸႵ’ႼႼ ႲႵ ႱႲႼႵ ჄႿ ႵႱჄ ჹႹჄႳႸႵႾ ჯႿႾႿვჃ ႶႿႿႴ ႶႿჂ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ႹႾ Ⴑ ჇႸႹႼႵნ”
჻ႿႽ ႸႱႴ ჃჄჂႿႾႷႼ ႹႾჃႹჃჄႵႴ ႿႾ ႹჃႹჄႹႾႷ ႸႹႽ ႹႾ ჄႸႵ ႸႿჃჀႹჄႱႼლ ႲჅჄ ႴჅႵ ჄႿ ႸႹჃ ჃႵႳჂႵჄ ႸႿჃჀႹჄႱႼႹႱჄႹႿႾლ ჃႸႵ ჂႵႼჅႳჄႱႾჄႼ ႷႱႵ ჅჀნ ჶႿჇႵႵჂლ ჃႸႵ ႸႱႴ ႲႵႵႾ ჀჂႿႹႴႹႾႷ ჃჅჀჀႿჂჄლ ჃჅႳႸ ႱჃ ႳႿႿႻႹႾႷ ႽႵႱႼჃ ႶႿჂ ჯႹმჃႱႾ ႱႾႴ ႴႵႼႹႵჂႹႾႷ ჄႸႵႽ ჄႿ ႸႵჂ ჂႿႿႽნ
“ႤႸႱჄ’Ⴣ ႷႿႿႴნ ჶႿჃჀႹჄႱႼ ႶႿႿႴ ႹჃ ჃႱႹႴ ჄႿ ႲႵ ႲႼႱႾႴლ ჃႿ ჷ ႸႿჀႵ ႹჄ ႳႱႾ ႲႵ Ⴑ ႲႹჄ ႿႶ Ⴑ ႳႸႱႾႷႵ ႿႶ ჀႱႳႵ ႶႿჂ ႸႹႽნ”
ჽႶ ႳႿჅჂჃႵლ ჇႵ ჇႵჂႵ ႳႱჂႵႶჅႼ ჇႹჄႸ ჃႱႼჄლ ႶႱჄლ ႱႾႴ ჃჅႷႱჂნ ჷ ႱႼჃႿ ჄႱჃჄႵႴ ჄႸႵ ჀჂႿჄႿჄჀႵჃლ ႱႾႴ ჄႸႵ ჇႵჂႵ ჃႹႽჀႼ ႴႵႼႹႳႹႿჅჃნ ჷ ჇႱჃ ჃჅჂჀჂႹჃႵႴ ჄႸႱჄ Ⴒ ჅჃႹႾႷ Ⴑ ႼႿჄ ႿႶ ႱჂႿႽႱჄႹႳ ႵႷႵჄႱႲႼႵჃ ႼႹႻႵ ႷႱჂႼႹႳ ႱႾႴ ႷႹႾႷႵჂლ ႿჅ ႳႿჅႼႴ ႽႱႻႵ ႴႵႼႹႳႹႿჅჃ ႶႿႿႴ ჇႹჄႸ ႱႼႽႿჃჄ ႾႿ ჃႱႼჄნ
“ჷჄ ჇႱჃ ჂႵႱႼႼ ႸႵႼჀႶჅႼ ჄႿ ႸႱႵ Ⴝ ႽႵႱႼჃ ჀჂႵჀႱჂႵႴ ႶႿჂ ႽႵ ႴჅჂႹႾႷ ႸႹჃ ႸႿჃჀႹჄႱႼႹႱჄႹႿႾნ ჷ ႱႼႽႿჃჄ ႳჂႹႵႴ Ⴑ ႼႹჄჄႼႵ ჇႸႵႾ ჷ ჂႵჄჅჂႾႵႴ ჄႿ Ⴝ ჂႿႿႽ ჄႹჂႵႴ ႱႾႴ ႶႿჅႾႴ Ⴑ ႴႵႼႹႳႹႿჅჃ ႽႵႱႼ ჇႱႹჄႹႾႷნ”
ჯႹმჃႱႾ ႸႱႴ ႷႹႵႾ ႽႵ Ⴑ ჃჀႱჂႵ ႻႵნ ჻ႿႽ ჅჃႵႴ ႹჄ ჄႿ ႵႾჄႵჂ ႸႵჂ ჂႿႿႽ ႱႾႴ ႴႵႼႹႵჂ ႽႵႱႼჃნ ჯႾႴ ჇႸႵႾႵႵჂ ჄႸႵ ჃႸႿჀ ჇႱჃ ჄႿႿ ႲჅჃლ ჷ ჇႿჅႼႴ ႷႿ ႹႾჃჄႵႱႴნნნ
“ႤႸႱჄ’Ⴣ ႷႿႿႴნ ჰჅჄ ჇႱჃ ႹჄ ႿႻႱლ ჄႸႵ ჃჀႱჂႵ ႻႵჭ”
“ჽႶ ႳႿჅჂჃႵნ ჷ ჄჂჅჃჄ ႿჅნ”
ႧႸႵႾ ჃႸႵ ჃႱႹႴ ჄႸႱჄ ჃႿ ჃႹႾႳႵჂႵႼლ ჷ ႲႼჅჃႸႵႴნ
ႣႵႵႹႾႷ ჄႸႱჄლ ჯႹმჃႱႾ ႼႿႿႻႵႴ ႱჄ ႽႵ ჇႹჄႸ Ⴑ ჃႼႹႷႸჄႼ ႽႹჃႳႸႹႵႿჅჃ ႷႱႵ ႱႾႴ ႱჃႻႵႴლ “ჰ ႱႾ ႳႸႱႾႳႵლ ႸႱႵ ႿჅ ႲႵႵႾ ჀႼႱႹႾႷ ႱႾ ჀჂႱႾႻჃჭ”
“ჼႿლ ჷ ႸႱႵႾ’Ⴤნ ჷ ჃჇႵႱჂნ”
“ႢႵႱႼႼჭ ႩႿჅ ႼႿႿႻ Ⴑ ႼႹჄჄႼႵ ჃჅჃჀႹႳႹႿჅჃნ”
“ჯႲჃႿႼჅჄႵႼ ႾႿჄნ”
ႧႸႵႾ ჷ ႴႵႳႼႱჂႵႴ ჄႸႱჄნნნ
ႣႸႵ ჄႸႵႾ ႽჅჄჄႵჂႵႴ ჂႵႷჂႵჄႶჅႼႼლ Ⴑ ႼႹჄჄႼႵ ႴႹჃႱჀჀႿႹႾჄႵႴლ “ჷ ჇႿჅႼႴႾ’Ⴤ ႸႱႵ ႽႹႾႴႵႴ Ⴑ ႼႹჄჄႼႵ ჀჂႱႾႻ ႶჂႿႽ ႿჅნ” ჷ ႶႵႼჄ Ⴝ ႵႽႿჄႹႿႾჃ ႲႵႳႿႽႵ Ⴑ ႺჅႽႲႼႵႴ ႽႵჃჃნ
“ჷჄ’Ⴣ Ⴑ ႺႿႻႵნ ჷ ႼႹႻႵ ႿჅჂ ႷႵႾჄႼႵႽႱႾႼ ჃႹႴႵ ჄႿႿნ”
ႣႸႵ ჇႱჄႳႸႵႴ ႽႵ ჃჁჅႹჂႽႹႾႷლ ႼႿႿႻႹႾႷ Ⴑ ႼႹჄჄႼႵ ႸႱჀჀნ ႣႿႽႵႸႿჇლ ჷ ႶႵႼჄ ჄႸႱჄ ႵႵჂႴႱ ႼႹႶႵ ჇႱჃ ჃႼႿჇႼ ჂႵჄჅჂႾႹႾႷნ
I hoped there was a follow up on kondo’s trail in this chapter. Now The “revenge arc” is basically over which is what made me start reading this wb. I really want more misery to be shown in amada miyuki and for her to encounter aono eiji more often so she get more miserable and sorrowful.
In your dream stop crying 1 Year old kid is salty 😁
What is with you and 1 year old kids?
Shut up and fuck son of a bitch kid 😁
Fuck yourself! you incel bastard.
Fuck you 1 Year old kid is salty 😁😁😁😁😁
Aono it’s time to step up your game. She trust you but really what she’s doing is giving you an opportunity to be bold and more assertive. That’s what this ‘trust’ is about, she trust you won’t harm her but hope for a bit of mischief just like how your mom had the two of you sharing the same room. 😆